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Neighboring Rights Administration: The Horticulture of Music IndustryIn the ever-evolving landscape of music rights management, the process of neighboring rights administration remarkably mirrors the art of horticulture. It's a domain with multifaceted aspects and a cyclical nature, much like the nurturing of a garden.The Cyclical Routine:Just as a gardener regularly tends to their plants, we engage in the routine task of claiming rights within societies' portals. This process occurs monthly/quarterly for some societies and semi-annually for others. Adhering to this schedule is crucial for effectively managing the influx of new tracks added to the databases by these societies.The Growth Challenge:· &nbsp; &nbsp; &nbsp; This constant expansion in the music repertoire is driven by several factors:· &nbsp; &nbsp; &nbsp; An increasing number of recording artists· &nbsp; &nbsp; &nbsp; The rapid pace at which these artists release their recordings (multiple&nbsp; &nbsp; &nbsp; &nbsp; versions and edits!)· &nbsp; &nbsp; &nbsp; The growth in the number of streaming platforms· &nbsp; &nbsp; &nbsp; The extensive use of back catalogs or longtail repertoire Embracing AI in Rights Management:To manage this burgeoning growth, it's impractical for collectives to rely solely on expanding repertoire staff. Hence, more and more collectives, including the Dutch collective Sena, are turning to AI technology. One notable feature of Sena's portal is its ability to make artist-specific track claims, suggesting tracks that their system believes have been performed by particular artists. While some suggestions are more accurate than others, this tool significantly sharpens our focus and efficiency.Machine Learning in Track Validation:Additionally, machine learning technology plays a pivotal role in the track validation process. Although conducting a variety of specific checks within the unclaimed recordings section remains invaluable, this technology substantially lightens the workload for everyone involved.The Future of Rights Administration:As we continue to weed through the world’s neighboring rights gardens, integrating technology like AI and machine learning is not just an option but a necessity. It's about working smarter, not harder, in an industry that's as dynamic and fertile as a flourishing garden.

Neighboring Rights Administration: The Horticulture of Music Industry

Grammy for the recording of Terence Blanchard's “Champion”!Zanoise congratulates Terence Blanchard on the Grammy for th recording of his captivating opera "Champion,"Featuring are Yannick Nézet-Séguin, Ryan Speedo Green, Latonia Moore, and Eric Owens with David Frost as the producer (and The Metropolitan Opera Orchestra &amp; The Metropolitan Opera Chorus).Blanchard’s masterpiece which blends elements of jazz, blues and classical music narrates the life of Emile Griffith, an African-American boxer who navigated both victory and despair, confronting societal biases regarding his sexual identity.

Grammy for the recording of Terence Blanchard's “Champion”!

Zanoise celebrates the start of 2024 with a new deal!&nbsp;At Zanoise Talent, we believe in the quiet power of music and the artists who create it. It's with great pleasure and gratitude that we announce that legendary musician, producer, singer, Willie Colón has entrusted us with the administration of his international neighboring rights.The deal was facilitated through the efforts of Herman Rodriguez-Bajandas, Willie Colón's long-time music publishing administrator, advisor, and personal friend.Willie Colón's impact on Latin music is both profound and enduring. His career spans decades of making music with and for legendary performers such as Celia Cruz, Hector La Voe, Ruben Blades, Johnny Pacheco, Ismael Miranda, Fania All-Stars, David Byrne, and his own solo work, continues to resonate with music fans worldwide.For Zanoise, the deal is not just about managing royalties; it's also about honoring Willie Colón’s incredible artistic legacy worldwide. We are committed to leveraging our expertise and global reach to maximize Willie Colón’s neighboring rights, ensuring that he will get paid from every corner of the world. <figure id="figure-t9xbeili59lt30bliq"><img id="t9xbeili59lt30bliq" src="https://cdn.durable.co/blocks/2069fPTnTtET15jdZGZkpRugWUiYcohQn8utrApzo51XhhJZ9A7mvTv2vObcd5IF.jpg" alt="Yellow Coconut is a captivating subject for photography, with its vibrant color and unique appearance. Whether it's a photograph of a yellow coconut tree against a blue sky, or a close-up of the coconut itself, the contrast of the yellow hue against the green foliage or blue sky can make for a stunning image. Photographers can capture the beauty of the yellow coconut in various settings, from tropical landscapes to artistic close-ups. The distinct color of the yellow coconut provides an excellent opportunity for creative and eye-catching photography." class="object-cover bg-gray-100 rounded-2xl md:rounded-3xl lg:rounded-4xl" style="aspect-ratio: 16/9; object-position: center center;" data-corners="default" data-aspect="16:9" data-caption="" data-positionx="undefined" data-positiony="undefined" data-fullwidth="false" data-mce-src="https://cdn.durable.co/blocks/2069fPTnTtET15jdZGZkpRugWUiYcohQn8utrApzo51XhhJZ9A7mvTv2vObcd5IF.jpg" data-mce-style="aspect-ratio: 16/9; object-position: center center;"></figure>

Willie Colón signs with Zanoise

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EU Lobbying Update: Neighboring Rights and the RAAP Ruling&nbsp;In the music industry, a significant development is unfolding in the EU. Following a 2020 EU Court of Justice ruling, there's a growing debate over neighboring rights (NR) payments to non-EU rightsholders, particularly US artists and labels.The Ruling: The court decided that EU member states can't individually exclude non-EU rightsholders from NR payments. This implies that American artists should receive their share of NR royalties.Current Situation: Only a few countries have followed this ruling. Most European Collective Management Organizations (CMOs) are adhering to the principle of reciprocity – paying foreign artists only if their countries reciprocate. Consequently, many US artists are not receiving payments in these countries.Lobbying for Change: Various European CMOs and music industry bodies are lobbying for an EU-wide legislative change regarding NR (read more: https://www.impalamusic.org/european-performance-income-us-repertoire/). The goal is to align payments with the principle of reciprocity.Differing Views: Not all agree, however. GVL in Germany, for example, notes that US artists are already being paid in several other countries, including Spain, Portugal, Italy, and the Czech Republic. A Europe-wide reciprocity policy could negatively affect royalty collections and increase administrative costs in these countries.Divided Opinions: Europe remains divided on this issue, and a resolution may take time. Meanwhile, US artists and labels are in a state of uncertainty in most European countries.Stay tuned for more updates on this evolving situation.

EU Lobbying Update: Neighboring Rights and the RAAP Ruling

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Tax on streaming in FranceThis text discusses the implementation of a streaming tax in France to fund the Centre national de la musique (CNM). The government has decided to tax the revenue of streaming platforms, aiming to provide sustainable and supportive financing for the music industry. However, the Adami organization emphasizes the ongoing issue of fair value distribution and artist compensation in streaming. The recent strikes by actors and writers in the United States and a report by the European Parliament's Culture Committee highlight these concerns.In France, an agreement was reached 18 months ago for a minimum compensation guarantee (GRM), but Adami fears that the new streaming tax might negatively affect artist revenues, contrary to the GRM's intent to improve them.&nbsp;Adami is vigilant to ensure that this tax does not impact artist incomes and calls for better support for artists by the CNM, now that it has stable funding. Additionally, Adami notes the decline in revenues from private copying, a significant income source for artists, and states that its future financial support for the CNM will depend on the performance of private copying revenue and fair compensation.

Tax on streaming in France

Exciting news in the world of music and intellectual property rights! After the notable sale of <a data-mce-href="https://www.sessionstudio.com/" href="https://www.sessionstudio.com/" target="_blank" rel="noopener">Session Studio </a>to SALT by ABBA's Björn Ulvaeus, <a id="ember1899" class="ember-view" href="https://www.linkedin.com/in/niclas-molinder-aa29324/" data-mce-href="https://www.linkedin.com/in/niclas-molinder-aa29324/" target="_blank" rel="noopener">Niclas Molinder</a>, and producer Max Martin, their dedication to supporting creators hasn't waned. In a significant move, the trio, through the Music Rights Awareness Foundation, has joined hands with the <a data-mce-href="https://www.wipo.int/portal/en/index.html" href="https://www.wipo.int/portal/en/index.html" target="_blank" rel="noopener">World Intellectual Property Organisation – WIPO.</a> Together, they have launched CLIP - Creators Learn Intellectual Property. <a data-mce-href="https://goclip.org/en/" href="https://goclip.org/en/" target="_blank" rel="noopener">CLIP</a> is designed to educate creators about the many aspects of intellectual property (IP) rights and management. Having spent some time exploring CLIP, we can confidently say it offers a wealth of concise, well-written, and relevant information. For those concerned about it being dry, rest assured: CLIP provides real-life insights and curated content, including videos, from seasoned musicians and mentors. Is there a downside? Perhaps one is that the information appears to be written from a European perspective. For instance, the page on 'Rights in Sound Recordings and Performances' states, 'CMOs collect some remuneration rights for songwriters, performers, and other rights holders that are non-waivable and not transferable.' While this may be true in Europe, in the US, it's quite common to assign or transfer one's rights to a third (for-profit) party, as per the Work-Made-For-Hire doctrine. Moreover, we should consider that many artists, particularly younger ones, may not actively research IP topics on a website. They often prefer learning through videos. A dedicated YouTube channel might therefore be more effective in reaching a broader artist community. That said, CLIP is a great initiative and deserves praise. Every step towards the right direction is valuable!"

Zanoise blog

Neighboring Rights Administration: The Horticulture of Mu...

Grammy for the recording of Terence Blanchard's “Champion”!

Willie Colón signs with Zanoise

EU Lobbying Update: Neighboring Rights and the RAAP Ruling

Tax on streaming in France

And the fight for creators goes on